A.B. Chambers. Glorified Bodies and the "Valediction: forbidding Mourning." 1-20.

A.J. Smith. No Man Is a Contradiction. 21-38.

Annabel Patterson. Misinterpretable Donne: The Testimony of the Letters. 39-54.

John R. Roberts. John Donne's Poetry: An Assessment of Modern Criticism. 55-68.

Anthony Low. The "Turning Wheels": Carew, Jonson, Donne...Law of Motion. 69-80.

Stanley Stewart. Two Types of Traherne Centuries. 81-100.

Michael P. Parker. Carew's Politic Pastoral: Virgilian Pretexts in the "Answer to Aurelian Townsend." 101-116.

S.K. Heninger, Jr. "Metaphor" and Sidney's Defence of Poesie. 117-150.

A. Leigh DeNeef. Ploughing Virgilian Furrows: The Genres of Faerie Queene VI. 151-166

John T. Shawcross. A Text of John Donne's Poems: Unsatisfactory Compromise. 1-20.

Ernest W. Sullivan, II. Replicar Editing of John Donne's Texts. 21-30.

Pamela L. Royston. Hero and Leander and the Eavesdropping Reader. 31-54.

Judy Z. Kronenfeld. Probing the Relation between Poetry and Ideology: Herbert's "The Windows." 55-80.

Sean Kane. The Paradoxes of Idealism: Book Two of The Faerie Queene. 81-110.

Anthony Low. Review Essay: John Carey and John Donne. 111-121.

Dennis Flynn. The "Annales School" and the Catholicism of Donne's Family. 1-10.

Achsah Guibbory. A Sense of the Future: Projected Audiences of Donne and Jonson. 1-22.

Sidney Gottlieb. Elegies Upon the Author: Defining, Defending, and Surviving Donne. 23-38.

Michael C. Schoenfeldt. Submission and Assertion: The "Double Motion" of Herbert's "Dedication". 39-50.

Edward J. Rielly. Marvell's "Fleckno," Anti-Catholicism, and the Pun as Metaphor. 51-62.

Alan T. Bradford. Nathanael Richards, Jacobean Playgoer. 63-78.

Ernest W. Sullivan, II. Donne Manuscripts: Dalhousie II. 79-90.

Annabel Patterson. Review Essay: Talking About Power. 91-106.

Ted-Larry Pebworth. Manuscript Poems and Print Assumptions: Donne and His Modern Editors. 1-23.

Stanton J. Linden. Compasses and Cartography: Donne's "A Valediction: forbidding Mourning". 23-34.

Thomas Willard.Donne's Anatomy Lesson: Vesalian or Paracelsian. 25-62.

John T. Shawcross.The Making of the Variorum Text of Anniversaries. 63-72.

Ilona Bell. Revision and Revelation in Herbert's "Affliction (I)". 73-96.

James S. Baumlin. A Note on the 1649/1650 Editions on Donne's Poems. 97-98.

Dennis Flynn. Review Essay: A Problematic Text. 99-104.

Horton Davies. Review Essay: Calvinism and Literary Culture. 105-112.

Albert C. Labriola. Review: Donne Well-Done. 113-116.

Robert W. Halli, Jr.. Drinking with Donne: December 13, 1610. 117.

Dennis Flynn. Jasper Mayne's Translation of Donne's Latin Epigrams. 121-130.

Joseph E. Grennen. Donne on the Growth and Infiniteness of Love. 131-140.

Jill Baumgaertner. "Harmony" in Donne's "La Corona" and "Upon the Translation of the Psalms". 141-156

Joseph E. Duncan. Donne's "Hymne to God my God, in my sickness" and Iconographic Tradition. 157-180.

Raymond A. Anselment. The oxford University Poets and Caroline Panegyric. 181-202.

Ernest W. Sullivan, II. Donne Manuscripts: Dalhousie I. 203-220.

Jonathan F. S. Post. Review Essay: Reforming The Temple: Recent Criticism of George Herbert. 221-248.

Ronald J. Corthell. Review Essay: Joseph Hill and Seventeenth-Century Literature. 249-270.

Anthony Low. The Compleat Angler's "Baite": or, The Subverter Subverted. 1-12.

Patrick F. O'Connell. "Restore Thine Image": Structure and Theme in Donne's "Goodfriday." 13-28.

Julia M. Walker. "Here you see mee": Donne's Autographed Valediction. 29-34.

Frances M. Malpezzi. The Withered Garden in Herbert's "Grace." 35-48.

David P. Jaeckle. Marvell's Reformed Theory of Architecture: Upon Appleton House, I-X. 49-68.

Maureen Sabine. Crashaw and the Feminine Animus: Patterns of Self-Sacrifice in Two of His Devotional Poems. 69-94.

Paul A. Parrish. Cowley and Crashaw on Hope. 95-108.

A.B. Chambers. Will the Real John Donne Please Rise? 109-144.

Leah S. Marcus. Report from the Opposition Camp: Jonson Studies in the 1980s. 121-144.

Pamela L. Royston. Genre, Genius, and Genealogy: Revising Literary History. 145-159.

The Metaphysical Poets in the Nineteenth Century

Edited by Antony H. Harrison

Antony H. Harrison. Reception Theory and the New Historicism: The Metaphysical Poets in the Nineteenth Century. 163- 181.

John B. Hodgson. Coleridge, Puns, and "Donne's First Poem": The Limbo of Rhetoric and the Conceptions of Wit. 181-200.

John T. Shawcross. Opulence and Iron Pokers: Coleridge and Donne. 201-224.

Dayton Haskin. Reading Donne's Songs and Sonets in the Nineteenth Century. 225-252.

John Maynard. Browning, Donne, and the Triangulation of the Dramatic Monologue. 253-268.

Diane D'Amico. Reading and Rereading George Herbert and Christina Rossetti. 269-290.

John Griffin. Tractarians and Metaphysicals: The Failure of Influence. 291-302.

Jerome Bump. Hopkins, Metalepsis, and the Metaphysicals. 303-330.

James Dorrill. Hardy, Donne, and the Tolling Bell. 331-336.

Raoul Granquist. A "Fashionable Poet" in New England in the 1890s: A Study of the Reception of John Donne. 337-350.

Linda Palumbo. Cultivation in the Wilderness: A Review Essay. 351-359.

Essays in Literature and the Visual Arts

Edited by Richard S. Peterson

Clark Hulse. Shakespeare's Sonnets and the Art of the Face. 3-26.

Alan T. Bradford. Use And Uniformity in Elizabethan Architecture and Drama. 27-62.

Ernest B. Gilman. "To adore, or scorne an image": Donne and the Iconoclast Controversy. 63-100.

David Evett. Donne's Poems and the Five Styles of Renascence Art. 101-132.

Murray Roston. Herbert and Mannerism. 133-168.

Richard S. Peterson. Icon and Mystery in Jonson's Masque of Beautie. 169-200.

John Peacock. Inigo Jones and the Florentine Court Theater. 201-234.

Cedric C. Brown. The Komos in Milton. 235-266.

David Sturdy. Bodley's Bookcases: "This goodly Magazine of witte". 267-290.

John Dixon Hunt. The Portrait of William Style of Langley: Some Reflections. 291-310.

David M. Sullivan. Riders to the West: "Goodfriday, 1613." 1-8.

Jeanne Shami. Kings and Desperate Men: John Donne Preaches at Court. 9-24.

Ronald J. Corthell. "Coscus onely breeds my just offence": A Note on Donne's "Satire II" and the Inns of Court. 25-32.

Paul W. Harland. Imagination and Affections in John Donne's Preaching. 33-50.

Robert H. Ray. Another Perspective on Donne in the Seventeenth Century: Nehemiah Rogers's Allusions to the Sermons and "A Hymne to God the Father". 51-54.

Donald R. Dickson. Grace and the "Spirits" of the Heart in The Temple. 55-66.

Ann Baynes Coiro. Herrick's "Julia" Poems. 67-90.

Dale B.J. Randall. Phosphore Redde Diem: Ancient Starlight in Quarles' Emblems I.14. 91-108.

W. Speed Hill. John Donne's Biathanatos: Authenticity, Authority, and Context in Three Editions. 109-134.

Raymond B. Waddington. "When thou hast done, thou hast not done." 135-146.

Eugene Cunnar. Steps to Crashaw. 147-150.

Anthony Low. Sister Arts. 151-158.

Michael P. Parker. Annotating Aurelian. 159-161.

Dennis Flynn. Donne's Ignatius His Conclave and Other Libels on Robert Cecil. 163-184.

A.B. Chambers. "Goodfriday, 1613. Riding Westward": Looking Back. 185-202.

John T. Shawcross. The Concept of Sermo in Donne and Herbert. 203-212.

Peter Beal. More Donne Manuscripts. 213-218.

Ernest W. Sullivan, II. Updating the John Donne Listings in Peter Beal's Index of Englsih Literary Manuscripts. 219-234.

Paul R. Sellin and Augustus J. Veenendaal, Jr. A "Pub Crawl" Through Old The Hague: Shady Light on Life and Art Among English Friends of John Donne in The Netherlands, 1627-1635. 235-260.

Daniel P. Jaeckle. Marvell's Dialogics of History: Upon Appleton House, XI-XXXV. 261-274.

Judith Dundas. "Arachnean Eyes": A Mythological Emblem in the Poetry of George Chapman. 275-284.

Anthony Low. Grief, Anger, and Consolation, 285-288.

Andrew M. Mclean and J. Lawrence Gunter. Donne Done Into German. 289-294.

Achsah Guibbory. The Directions of Indirection. 295-298.

Stanley Stewart. Georgic and the Absence of Georgic. 299-303.

Mary Ann Radzinowicz. The Politics of Donne's Silences. 1-20.

Louis L. Martz. Donne and Herbert: Vehement Grief and Silent Tears. 21-34.

Dennis Flynn. "Awry and Squint": The Dating of Donne's Holy Sonnets. 35-46.

Helen B. Brooks. "Soules Language": Reading Donne's "The Extasie." 47-64.

Sallye Sheppeard. Eden and Agony in "Twicknam Garden." 65-72.

Richard Harp. Jonson's "To Penhurst": The Country House as Church. 73-90.

Reid Barbour. "Wee, of th' adult'rate mixture not complaine": Thomas Carew and Poetic Hybridity. 91-114.

John T. Shawcross. On Some Early References to John Donne. 115-118.

Bernard Richards. Donne's "Aire and Angels": A Gross Misreading. 119-122.

James A. Riddell. A Previously Unnoticed Source for a Poem by Ben Jonson. 123-124.

Anthony Low. Donne and the New Historicism. 125-132.

Julia M. Walker. "Left/Write/Right" Of Lock-Jaw and Literary Criticism. 133-139.

John T. Shawcross. But Is It Donne's? The Problem of Titles on His Poems. 141-150.

James S. Baumlin. Donne's Poetics of Absence. 151-182.

Joseph E. Duncan. Resurrections in Donne's "A Hymne to God the Father" and "Hymne to God my God, in my sicknesse." 183-196.

Robert Thomas Fallon. Donne's "Strange Fire" and the "Elegies on the Author's Death." 197-212.

Robert C. Evans. Sir John Harington and Thomas Sutton: New Letters from Charterhouse. 213-238.

Howard Canaan. Meaning, Shape, and Number in Upon Appleton House. 239-256.

Jonathan F.S. Post. Herrick, Cultural Clout, and the Burden of Simplicity. 257-272.

Stanley Stewart. Imagining Dutch Reformed Donne. 273-286.

Ernest W. Sullivan II. Who Was Reading/Writing Donne Verse in the Seventeenth Century? 1-16.

Celestin J. Walby. The Westmoreland Text of Donne's First Epithalamium. 17-36.

Graham Roebuck. Donne's Visual Imagination and Compasses. 37-56.

Noralyn Masselink. Donne's Epistemology and the Appeal to Memory. 57-88.

Yameng Liu. The Making of Elizabeth Drury: The Voice of God in "Anatomy of the World." 89-102.

Sharon Cadman Seelig. In Sickness and Health: Donne's Devotions Upon Divergent Occasions. 103-114.

M.L. Donnelly. "To furder or represse": Donne's Calling. 115-124.

Winfried Schliner. Donne's Coterie Sermon. 125-132.

Robert C. Evans. John Donne, Governor of Charterhouse. 133-150.

Joanne Altieri. Hero and Leander: Sensible Myth and Lyric Subjectivity. 151-166.

Krisitne Wolberg. All Possible Art: The Country Parson and Courtesy. 167-190.

Barbara Looney. Marvell's Dewdrop: Two Possibilities for the Soul. 191-193.

Interpreting "Aire and Angels"

Edited by Achsah Guibbory

R.V. Young. Angels in "Aire and Angels." 1-14.

Stella P. Revard. The Angelic Messenger in "Aire and Angels." 15-18.

Phoebe S. Spinrad. "Aire and Angels" and Questionable Shapes. 19-22.

Michael C. Schoenfeldt. Patriarchal Assumptions and Egalitarian Designs. 23-26.

Judith Scherer Herz. Resisting Mutuality. 27-32.

John T. Shawcross. Donne's "Aire and Angels": Text and Context. 33-42.

John R. Roberts. "Just such disparitie": The Critical Debate About "Aire and Angels." 43-64.

Arnold Stein. Interpretation: "Aire and Angels." 65-76.

Albert C. Labriola. "This Dialogue of One": Rational Argument and Affective Discourse in Donne's "Aire and Angels." 77-84.

Janel Mueller. The Play of Difference in Donne's "Aire and Angels." 85-94.

Camille Wells Slights. Air, Angels, and Progress of Love. 95-104.

Achsah Guibbory. Donne, the Idea of Woman, aand the Experience of Love. 105-112.

Anne Barbeau. Donne and the Real Presence of the Absent Lover. 113-124.

Graham Roebuck. Elegies for Donne: Great Tew and the Poets,. 125-136.

John T. Shawcross. An Important Volume of Donne's Poetry and Prose. 137-140.

Ernest W. Sullivan II. Updating the John Donne Listings in Peter Beal's Index of English Literary Manuscripts, II. 141-148.

Lauren Silberman. To Write Sorrow in Jonson's 'On my First Sonne.' 149-156.

Esther Gilman Richey. "Wrapt in Nights Mantle": George Herbert's Parabolic Art. 157-172.

Maureen Sabine. "My Soul's Country-Man": The Critical Recovery of Crashaw. 173-182.

Anthony Low. The Problem of Mysticism. 183-187.

Claude Summers and Ted-Larry Pebworth. Donne's Correspondence with Wotton. 1-36.

Graham Roebuck. Donne's Lamentations of Jeremy Reconsidered. 37-44.

Theresa DiPasquale. Ambivalent Mourning: Sacramentality, Idolatry, and Gender in "Since she whome I lovd hath payd her last debt." 45-56.

Koos Daley. "And Like a Widdow Thus": Donne, Huygens, and the Fall of Heidelberg. 57-70.

Gary Stringer. Donne's Epigram on the Earl of Nottingham. 71-74.

John T. Shawcross. Some Further Early Allusions to Donne. 75-78.

Satyre III Colloquium. Stringer, Sellin, Slights, Hester. 79-102.

Hal Hellwig. The Poet's Role in Rhetoric: Herbert in the Service of the Lord. 103-110.

Richard Todd. Carew's "crowne of Bayes": Epideixis and the Performative Rendering of Donne's Poetic Voice. 111-128.

Dan Jaeckle. De-Authorizing in Marvell's The Rehearsal Transpros'd. 129-142.

Jeanne Shami. Introduction: Reading Donne's Sermons. 1-20.

Paul W. Harland. Donne's Political Intervention in the Parliament of 1629. 21-38.

Gale H. Carrithers, Jr., and James D. Handy, Jr. Love, Power, DustRoyall, Gavelkinde: Donne's Politics. 39-58.

Lori Anne Ferrell. Donne and His Master's Voice, 1615- 1625. 59-72.

Meg Lota Brown. "Though it be not according to the Law": Donne's Politics and the Sermon on Esther. 73-84.

Noralyn Masselink. A Matter of Interpretation: Example and Donne's Role as Preacher and as Poet. 85-98.

Mark Vessey. Consulting the Fathers: Invention and Mediation in Donne's Sermon on Psalm 51:7 ("Purge me with hyssope"). 99-110.

Lindsay A. Mann. Misogyny and Libertinism: Donne's Marriage Sermons. 111-132.

Dayton Haskin. John Donne and the Cultural Contradicitons of Christmas. 133-157.

Maria J. Pando Canteli. "One like none, and lik'd of none": John Donne and the Grotesque Representation of the Female Body. 1-16.

Elaine Perez Zickler. "nor in nothing, nor in things": The case of love and desire in John Donne's Songs and Sonets. 17-40.

L.E. Semler. John Donne and the Early Maniera. 41-66.

Ann Hurley. Donne's "Good Friday, Riding Westward, 1613" and the Illustrated Meditative Tradition. 67-78.

Joan Faust. John Donne's Verse Letters to the Countess of Bedford: Mediators in a Poet-Patroness Relationship. 79-100.

A.E.B. Coldiron. "Poets be silent": Self-Silencing Conventions and Rhetorical Context in the 1633 Critical Elegies on Donne. 101-114.

Deborah Aldrich Larson. Donne's Contemporary Reputation: Evidence from Some Commonplace Books and Manuscript Miscellanies. 115- 130.

Robert G. Collmer. Elizabeth Drury in the United States. 131-138.

J.T. Rhodes. Continuities: The Ongoing English Catholic Tradition from the 1570s to the 1630s. 139-152.

Tiree MacGregor and C.Q. Drummond. The Authorship of "Fair Friend, 'tis true, your beauties move." 153-168.

Joe Snader. The Compleat Angler and the Problems of Scientific Methodology. 169-189.

Kate Frost. The Lothian Portrait: A New Description. 1-12.

R.E. Pritchard. Donne's Image and Dream. 13-28.

Jill Pelaez Baumgaertner. Political Play and Theological Uncertainty in the Anniversaries. 29-50.

Roger Rollin. John Donne's Holy Sonnets - The Sequel: Devotions Upon Emergent Occasions. 51-60.

Helen Wilcox. Squaring the Circle: Metaphors of the Divine in the Work of Donne and His Contemporaries. 61-80.

Emma L. Roth-Schwartz. John Donne's "Nocturnall Upon S. Lucies Day": Punctuation and the Editor. 81-100.

Robert Parker Sorlien. Apostasy Reversed: Donne and Tobie Matthew. 101-112.

John Shawcross. More Early Allusions to Donne and Herbert. 113-124.

Diana Trevino Benet. Introduction. 125-126.

Janice Whittington. The Text of Donne's "A Valediction forbidding Mourning." 127-136.

Judith Scherer Herz. Reading [out] Biography in "Valediction forbidding Mourning." 137-142.

Graham Roebuck. "A Valediction forbidding Mourning": Traditions and Problems of the Imagery. 143-150.

Jack Durant. Religio Laici and the Fate of Texts. 151-166.

Stanley Stewart. A Priest to the Geneva Temple. 167-180 .

P.G. Stanwood. "In cypher writ": The Design of Donne's Devotions. 181-186.

Dennis Flynn. Exegesis before Eisegesis. 187-192.

New Uses of Biographical and Historical Evidence in Donne Studies

Edited by Dennis Flynn

Jeanne Shami. "The Stars in their Order Fought Against Sisera": John Donne and the Pulpit Crisis of 1622. 1-58.

Peter McCullough. Preaching to a Court Papist? Donne's Sermon Before Queen Anne, December 1617. 59-82.

Tom Cain. Donne and the Prince D'Amour. 83-112.

Albert C. Labriola. Sacerdotalism and Sainthood in the Poetry and Life of John Donne: "The Canonization" and Canonization. 113-126.

Maureen Sabine. "Thou art the best of mee": A.S. Byatt's Possession and the Literary Possession of Donne, 127-148.

Michael W. Price. "Jeasts which cozen your Expectatyonn": Reassessing John Donne's Paradoxes and Problems, 149-184.

Dennis Flynn. Donne, Henry Wotton, and the Earl of Essex, 185-218.

Annabel Patterson. Afterword. 219-230.

M.L. Stapleton. "Why should they not alike in all parts touch?": Donne and the Elegiac Tradition, 1-22.

Achsah Guibbory. "The Relique," The Song of Songs, and Donne's Songs and Sonets. 23-44.

John T. Shawcross. Some Rereadings of John Donne's Poems. 45-62.

Rodney Stenning Edgecombe. Eschatological Elements in Donne's "Anniversarie." 63-74.

Donald Friedman. Christ's Image and Likeness in Donne. 75-94.

Kate Frost. The Lothian Portrait. 95-126.

Ted-Larry Pebworth. The Early Audiences of Donne's Poetic Performances, 127-140.

Graham Roebuck. Johannes Factus and the Anvil of the Wits. 141-152.

P.G. Stanwood. Donne's Art of Preaching and the Reconstruction of Tertullian. 153-170.

Bryan N.S. Gooch. Music for Donne. 171-188.

Barry Spurr. The John Donne Papers of Wesley Milgate. 189-202.

Maurine Sabine. "A Place of Honor": Dennis Flynn's Biography of Donne. 203-212.

Jeanne Shami. Donne's Political Casuistry: An Introduction. 213-218.

Brian Blackley. Claude and Ted-Larry's Excellent Adventure. 219-233.

Annabel Patterson. Donne in Shadows: Pictures and Politics. 1-36.

Anne Prescott. Donne's Rabelais. 37-58.

Terry G. Sherwood. Ego Videbo: Donne and the Vocational Self. 59-114.

Richard B. Wollman. Donne's Obscurity: Memory and Manuscript Culture. 115-136.

Stephen Burt. Donne the Sea Man. 137-184.

Stephen J. Maynard. "Here you see mee": The Trope of Avoidance in John Donne. 185-208.

Ann Hurley. Donne's "Nocturnall" and Festival. 209-220.

Margaret J. M. Ezell. A Possible Story of Judith Donne: A Life of Her Own? 9-28.

Thomas A. Festa. Donne's Anniversaries and His Anatomy of the Book. 29-60.

Jeff Westover. Suns and Lovers: Instability in Donne's "A Lecture upon the Shadow." 61-73.

Arthur Lindley. John Donne, "Batter my Heart," and English Rape Law. 75-88.

Shelley Karen Perlove. Witnessing the Crucifixion: Rembrandt and John Donne's "Good Friday, 1613. Riding Westward." 89-106.

Kate Narveson. Piety and the Genre of Donne's Devotions. 107-136.

Mary Ann Koory. "England's Second Austine": John Donne's Resistance to Conversion. 137-161.

Elena Levy-Navarro. "Goe forth ye daughters of Sion": Divine Authority, the King, and the Church in Donne's Denmark House Sermon. 163-173.

Gary A. Stringer. Filiating Scribal Manuscripts: The Example of Donne's Elegies. 175-189.

D. Audell Shelburne. The Textual Problem of "Twicknam Garden." 191-204.

Paul J. Voss. Desiring Ideology. 205-208.

Dennis Flynn. "The meate was mine": New Work from the Oxford School. 209-215.

William Proctor Williams. A Variorum: "How It Goes." 217-226.

John T. Shawcross. Using the Variorum Edition of John Donne's Poetry. 227-247.

Anthony Raspa. Donne's Pseudo-Martyr and Essayes in Divinity as Companion Pieces. 1-12.

Stella P. Revard. Donne's "The Bracelet": Trafficking in Gold and Love. 13-23.

Allison Spreuwenberg-Stewart. "To His Mistress Going to Bed," or "Could You Lend Me Your Clothes?" 25-59.

L. M. Gorton. Philosophy and the City: Space in Donne. 61-71.

Albert C. Labriola. Lure and Allure in Donne's "Aire and Angels." 73-82.

Reuben Sanchez. Menippean Satire and Competing Prose Styles in Ignatius His Conclave. 83-99.

Julia Brett. Distance, Demystification, and Donne's Divine Poetry. 101-126.

Paul W. Harland. Donne and Virginia: The Ideology of Conquest. 127-152.

Donald W. Rude. John Donne in The Female Tatler: A Forgotten Eighteenth-Century Appreciation. 153-166.

John T. Shawcross. Additional Donne and Herbert Allusions. 167-176.

Pamela Royston Macfie. Ghostly Metamorphoses: Chapman, Marlowe, and Ovid's Philomela. 177-193.

Colloquium: "Farewell to Love"

Ann Hurley. Introduction. 195-200.

Gary A. Stringer. The Text of "Farewell to Love." 201-213.

Graham Roebuck. Into the Shadows...: Donne's "Farewell to Love." 215-227.

Richard Todd. "Farewell to Love": "Things" as Artifacts, "thing[s]" as Shifting Signifiers. 229-241.

Theresa M. DiPasquale. The Things Not Seen in Donne's "Farewell to Love." 243-253.

Anthony Low. Lost in a Book. 255-260.

Richard Harp. Reading Ritual. 261-266.

Paul J. Voss. Sir Thomas More in the Year of Donne's Birth. 1-18.

Maureen Sabine. Illumina Tenebras Nostras Domina—Donne at Evensong. 19-44.

María J. Pando Canteli. The Poetics of Space in Donne's Love Poetry. 45-57.

Ilona Bell. Courting Anne More. 59-86.

John T. Shawcross. The Meditative Path and Personal Poetry. 87-99.

Helen B. Brooks. "When I would not I change in vowes, and in devotione": Donne's "Vexations" and the Ignatian Meditative Model." 101-137.

Kate Gartner Frost and William J. Scheick. Signing at Cross Purpose: Resignation in Donne's "Holy Sonnet I." 139-161.

Catherine Gimelli Martin. The Advancement of Learning and the Decay of the World: A New Reading of Donne's First Anniversary. 163-203.

Ted-Larry Pebworth and Claude J. Summers. Contexts and Strategies: Donne's Elegy on Prince Henry. 205-222.

R. V. Young. Donne and Bellarmine. 223-234.

Mary Arshagouni Papazian. John Donne and the Thirty Years' War. 235-266.

Florence Sandler. "The Gallery to the New World": Donne, Herbert and Ferrar on the Virginia Project. 267-297.

Ernest W. Sullivan, II. Poems, by J. D.: Donne's Corpus and His Bawdy, Too. 299-309.

Dayton Haskin. Coleridge's Marginalia on the Seventeenth-Century Divines and the Perusal of Our Elder Writers. 311-337.

Mary Alexander. Pyrford, Pyrford Place, and Queen Elizabeth's Summerhouse. 339-360.

Richard S. Peterson. New Evidence on Donne's Monument: I. 1-51.

Paul Stevens. Donne's Catholicism and the Innovation of the Modern Nation State. 53-70.

Thomas Fulton. Hamlet's Inky Cloak and Donne's Satyres. 71-106.

Dennis Flynn. Donne's Most Daring Satyre: "richly For service paid, authoriz'd." 107-120.

Barry Spurr. The Theology of La Corona. 121-139.

Theresa M. DiPasquale. "to good ends": The Final Cause of Sacramental Womanhood in The First Anniversarie. 141-150.

Sara Anderson. Phonological Analysis and Donne's "Nocturnall." 151-160.

Nathanial B. Smith. The Apparition of a Seventeenth-Century Donne Reader: A Hand-Written Index to Poems, By J. D. (1633). 161-199.

Richard Todd. Donne's "Goodfriday, 1613. Riding Westward.": The Extant Manuscripts and the Group 1 Stemma. 201-218.

Donald W. Rude. Some Unreported Seventeenth- and Eighteenth-Century Allusions to John Donne. 219-228.

David Reid. Crashaw's Gallantries. 229-242.

Andrew Sean Davidson. Devotio and Ratio in Richard Crashaw's "On Hope." 243-262.

George Walton Williams. Richard Crashaw's "Bulla" and Daniel Heinsius' Crepundia. 263-273.

Ernest W. Sullivan, II, and Robert Shawn Boles. The Textual History of and Interpretively Significant Variants in Donne's "The Sunne Rising." 275-280.

Dayton Haskin. Impudently Donne. 281-287.

Meg Lota Brown. Absorbing Difference in Donne's Malediction Forbidding Morning. 289-292.

In Memoriam Louis Lohr Martz 1913-2001

Edited by Jonathan F. S. Post and R. V. Young

R. V. Young. Introduction: The Poetry of Meditation and the Aesthetics of Devotional Intention. 1-10.

Judith H. Anderson. Donne's Tropic Awareness: Metaphor, Metonymy, and Devotions upon Emergent Occasions. 11-34.

Annabel Patterson. A Man is to Himself a Dioclesian: Donne's Rectified Litany. 35-49.

Dayton Haskin. Is There a Future for Donne's "Litany"? 51-88.

P. G. Stanwood. The Vision of God in the Sonnets of John Donne and George Herbert. 89-100.

Jonathan F. S. Post. The Baroque and Elizabeth Bishop. 101-133.

Robert B. Shaw. "Sometimes Metaphysical": Louis Martz and Theodore Roethke. 135-149.

Donald M. Friedman. A Caroline Fancy: Carew on Representation. 151-182.

Sidney Gottlieb. An Collins and the Life of Writing. 183-207.

Edward W. Tayler. "differing" Donne. 209-224.

Achsah Guibbory. Sacramental Poetics in an Age of Controversy. 225-230.

Dennis Flynn. Donne and the Uses of Courtliness: Trained to Lie? 231-236.

Achsah Guibbory. Reading and Teaching "The Good Morrow." 1-4.

Lara M. Crowley. Establishing a "fitter" Text of Donne's "The Good Morrowe." 5-21.

Ilona Bell. Betrothal: "The Good morrow." 23-30.

Jonathan F. S. Post. "The Good Morrow" and the Modern Aubade: Some Impressions. 31-45.

Albert C. Labriola. "Vile harsh attire": Biblical Typology in John Donne's "Spit in my face yee Jewes." 47-57.

Michelle Solomon. Trafique: A Consideration of John Donne's The First Anniversary An Anatomie of the World. 59-75.

Brandon S. Centerwall. "Loe her's a Man, worthy indeede to travell": Donne's Panegyric upon Coryats Crudities. 77-94.

Ernest W. Sullivan, II. What Have the Donne Variorum Textual Editors Discovered, and Why Should Anyone Care? 95-107.

Jeffrey Johnson. "One, four, and infinite": John Donne, Thomas Harriot, and Essayes in Divinity. 109-143.

Brooke Conti. Donne, Doubt, and the Devotions Upon Emergent Occasions. 145-164.

Peter McCullough. Donne and Andrewes. 165-201.

Hugh Adlington. Preaching the Holy Ghost: John Donne's Whitsunday Sermons. 203-228.

Noel Blincoe. Carew's "A Rapture": A Paradoxical Encomium on Erotic Love. 229-247.

Andrew Breeze. Donne's "Blest Hermaphrodite" and Psalms "More Harsh." 249-254.

Donald W. Rude. Seamus Heaney and John Donne: An Echo of "The Ecstasy" in "Glanmore Sonnet X." 255-257.

John R. Roberts. John Donne, Never Done: A Reassessment of Modern Criticism. 1-24.

Tom Cain. Elegy and Autobiography: "The Bracelet" and the Death of Henry Donne. 25-57.

Judith H. Anderson. Donne's (Im)possible Punning. 59-68.

Annabel Patterson. Donne's Re-formed La Corona. 69-93.

Anthony Low. Absence in Donne's Holy Sonnets: Between Catholic and Calvinist. 95-115.

Theresa M. DiPasquale. The Feminine Trinity in "Upon the Annuntiation and Passion." 117-138.

Jeffrey Johnson. Consecrating Lincoln's Inn Chapel. 139-160.

Sean McDowell. W;t, Donne's Holy Sonnets, and the Problem of Pain. 161-183.

Emma Rhatigan. Knees and Elephants: Donne Preaches on Ceremonial Conformity. 185-213.

Clayton D. Lein. Donne, Thomas Myriell, and the Musicians of St. Paul's. 215-247.

Peter Redford. Correspondence in the Burley Manuscript: A Conjecture. 249-256.

John N. Wall. John Donne Practices Law: The Case of the Brentwood School. 257-319.

Clinton A. Brand. Analogies of Sovereignty in Herbert's "To All Angels and Saints." 321-346.

Lorraine Roberts. Representing a Forsaken Woman: Crashaw's "Alexias." 347-362.

Annabel Patterson. Donne's Sermons Back in Fashion? 363-370.

A Special Issue Devoted to Richard Crashaw

Edited by John R. Roberts and R. V. Young

John R. Roberts. Richard Crashaw: An Annotated Bibliography of Criticism, 1981-2002. 1-228.

Sean McDowell. From "Lively" Art to "Glitt'ring Expressions": Crashaw's Initial Reception Reconsidered. 229-262.

Francis Newton. Silius Italicus, Daniel Heinsius, and Richard Crashaw: The Genesis of Crashaw's Lain Poem Bulla ("The Bubble"), with a New Edition of the Text. 263-295.

Richard Crashaw. Bubble. Translated by David Reid. 297-302.

Paul A. Parrish. Front Matters: Crashaw in the Seventeenth Century. 303-334.

Albert C. Labriola. The "wine of love": Viticulture in the Poetry of Richard Crashaw. 335-351.

George Walton Williams. Clement Barksdale's Translations of Richard Crashaw's Epigrams. 353-357.

A Special Issue Devoted to Literature and Music

Edited by Richard S. Peterson

Richard S. Peterson. Introduction. 1-2.

Anne Lake Prescott. "Formes of Joy and Art": Donne, David, and the Power of Music. 3-36.

R. D. S. Jack. Music, Poetry, and Performance at the Court of James VI. 37-63.

Gavin Alexander. The Musical Sidneys. 65-105.

Elise Bickford Jorgens. A Rhetoric of Dissonance: Music in The Merchant of Venice. 107-128.

Lin Kelsey. "Many sorts of music": Musical Genre in Twelfth Night and The Tempest. 129-181.

Byron Adams. "By Season Season'd": Shakespeare and Vaughan Williams. 183-197.

Linda Phyllis Austern. Words on Music: The Case of Early Modern England. 199-244.

William Peter Mahrt. Yonge Versus Watson and the Translation of Italian Madrigals. 245-266.

Christopher R. Wilson. Number and Music in Campion's Measured Verse. 267-289.

John Morehen. Alleluia: A Question of Syllabification, c. 1550-c. 1625. 291-314.

Paul L. Gaston. George Herbert, the "Hymn Menders," and the Anglican Hymn Tradition. 315-332.

Stephen M. Buhler. "Soft Lydian Airs" Meet "Anthems clear": Intelligibility in Milton, Handel, and Mark Morris. 333-353.

Margaret Maurer. Poetry and Scandal: John Donne's "A Hymne to the Saynts and to the Marquesse Hamilton." 1-33.

Christopher Martin. Fall and Decline: Confronting Lyric Gerontophobia in Donne's "The Autumnall." 35-54.

Kirsten Stirling. Lutheran Imagery and Donne's "Picture of Christ crucified." 55-72.

Sarah Powrie. The Celestial Progress of a Deathless Soul: Donne's Second Anniuersarie. 73-101.

Robert Guffey. Parabolic Logic in John Donne's Sermons. 103-125.

Katrin Ettenhuber. "Take heed what you hear": Re-reading Donne's Lincoln's Inn Sermons. 127-157.

John N. Wall. Situating Donne's Dedication Sermon at Lincoln's Inn, 22 May 1623. 159-239.

Judith Scherer Herz. Tracking the Voiceprint of Donne. 269-282.

Jonathan F. S. Post. Donne, Discontinuity, and the Proto-Post Modern: The Case of Anthony Hecht. 283-294.

Raymond-Jean Frontain. Registering Donne's Voiceprint: Additional Reverberations. 295-312.

Kui Yan. A Glory to Come: John Donne Studies in China. 313-332.

Helen B. Brooks. A "Re-Vision" of Donne: Adrienne Rich's "A Valediction Forbidding Mourning." 333-362.

Kate Gartner Frost. Introduction. 363-364.

Brooke Conti. The Devotions: Popular and Critical Reception. 365-372.

R. V. Young. Theology, Doctrine, and Genre in Devotions Upon Emergent Occasions. 373-380.

Mary A. Papazian. "No Man [and Nothing] is an Iland": Contexts for Donne's "Meditation XVII." 381-385.

Richard Todd. Fresh Sequencing and Fugitive Conversation in The Holy Sonnets. 401-406.

Robert Ellrodt. Revisiting John Donne. 407-419.

Albert C. Labriola. Donne's Visual Culture. 421-426.

Anthony Low. The Desire of the Critic. 427-431.

Emma Rhatigan. Reading the Rhetoric of Donne's Sermons. 433-436.

R. V. Young. A Novel Donne. 437-442.