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| Contents |
John R. Roberts. John Donne, Never Done: A Reassessment of Modern Criticism. 1-24. Tom Cain. Elegy and Autobiography: "The Bracelet" and the Death of Henry Donne. 25-57. Judith H. Anderson. Donne's (Im)possible Punning. 59-68. Annabel Patterson. Donne's Re-formed La Corona. 69-93. Anthony Low. Absence in Donne's Holy Sonnets: Between Catholic and Calvinist. 95-115. Theresa M. DiPasquale. The Feminine Trinity in "Upon the Annuntiation and Passion." 117-138. Jeffrey Johnson. Consecrating Lincoln's Inn Chapel. 139-160. Sean McDowell. W;t, Donne's Holy Sonnets, and the Problem of Pain. 161-183. Emma Rhatigan. Knees and Elephants: Donne Preaches on Ceremonial Conformity. 185-213. Clayton D. Lein. Donne, Thomas Myriell, and the Musicians of St. Paul's. 215-247. Peter Redford. Correspondence in the Burley Manuscript: A Conjecture. 249-256. John N. Wall. John Donne Practices Law: The Case of the Brentwood School. 257-319. Clinton A. Brand. Analogies of Sovereignty in Herbert's "To All Angels and Saints." 321-346. Lorraine Roberts. Representing a Forsaken Woman: Crashaw's "Alexias." 347-362. |
| Book Review |
Annabel Patterson. Donne's Sermons Back in Fashion? 363-370. |
| ________________ |
| Corrigenda. 371-372. |
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